本论文从舞蹈、舞剧本体的研究着手,采用文化社会学和文本分析相结合的方法,把舞剧艺术放到东西方文化比较及历史发展的大背景中进行横向和纵向的研究。以期从不同角度解析中国现当代舞剧在借鉴西方舞剧的同时,是沿着自身民族文化的需要而进行舞剧“改革”的,是在借鉴与自觉基础上的有益选择,其原则是在民族文化底蕴下的借鉴西方与实现自我的文化重建。 This dissertation starts with the research of dance and dance drama ontology. By using the methods of cultural sociology and text analysis, the art of performing ballet is horizontally and vertically studied in the context of the comparison between East and West cultures and the historical development. With a view to analyzing the contemporary Chinese ballet from the different perspectives, while referring to the western ballet, it is a “reform” of the ballet along the needs of one’s own national culture. It is a useful choice on the basis of reference and conscientiousness. Its principle is based on the national cultural heritage Under the reference of the West and self-cultural reconstruction.