广汉三星堆出土文物,从宗教研究的角度看,似乎代表了中国原始社会末期到奴隶制社会繁荣鼎盛的那么一段历史时期的巫文化形式。因为三星堆出土文物当中,有一个引人注目的青铜铸造的神人像,连底座算起有2.62米高。青铜神人像的两只手拳曲,握成空洞的状态。对此目前有两种不同的解释。有的说,它的手里面没有握什么东西,就握成这么一种拳曲的形式。有的认为,它这手里面一定握有东西,我比较偏重于这 The cultural relics unearthed from the Guanghan Sanxingdui, from the perspective of religious studies, seem to represent the witch-culture forms of the historical period from the end of primitive society in China to the prosperous and slavery society. Because of the relics unearthed in Sanxingdui, there is a striking bronze statue of God, even counting 2.62 meters high base. Bronze God portrait of the two hands fist song, hold into a hollow state. There are currently two different interpretations of this. Some say that there is nothing in the hand holding it, so hold it in such a form of boxing. Some think it must hold something in this hand, I am more emphasis on this