如果说一部电影的灵魂大多是导演,那么一部电视剧的灵魂则大多是编剧——这一点在日剧领域是公认的常识。日剧编剧所掌控的权力要远大于负责执行的导演,所以现在喜欢日剧的人常会听到三谷幸喜、宫藤官九郎这些大神级编剧的大名,却很少知道一部日剧的导演是谁。在这其中,坂元裕二是一个日剧迷绕不过去的名字。他精于现代剧的创作,在情感、社会、女性等题材上 If the soul of a movie is mostly directed, then the soul of a drama is mostly screenwriter - this is a recognized common sense in the field of Japanese drama. Japanese dramatists have much more power over the director in charge of the implementation, so people who now enjoy Japanese dramas often hear the names of Mitani Kouji and Kudo Kyujiro, the names of these great God screenwriters, but seldom know who the director of a Japanese TV series is. In this one, Sakamoto Yuji is a Japanese drama fans can not go beyond the name. He is good at the creation of modern drama, in the emotional, social, women and other topics