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在浸透了印度教精神的史诗《罗摩衍那》与佛教艺术里 ,可以看到大量世俗感官美的肯定性描写 ,在从《吠陀》到《摩诃婆罗多》以及后来的许多印度文艺作品中 ,都有许多描写和歌颂诸神和英雄们的性欲与性的力量的情节和细节。这些描写全心似乎违背了神圣宗教的主旨 ,构成了美的极端精神性与强烈感官性对立并存的审美矛盾。这一审美意识矛盾性的根源 ,至少应从史诗和宗教生成发展的特殊形态、远古生殖崇拜的影宗教与艺术与世俗的复杂关系等方面去探讨
In the Hindu spiritual epic Ramayana and Buddhist art, a large number of affirmative depictions of secular sensual beauty can be seen. From the Vedas to the Mahabharata and many later Indian literary works , There are many plots and details that depict and sing the power and sexuality of gods and heroes. These descriptive wholeheartedly appear to violate the glorification of the sacred religion and constitute the aesthetic contradiction in the coexistence of the extreme spirituality of the United States and the strong sense of the antinomies. The root of this contradiction of aesthetic consciousness should at least be explored from the special forms of epic and religious generation and development, the shadow religion of ancient reproductive worship and the complex relationship between art and secular