“自不待言,今日没有什么与艺术相关的东西是不言而喻的,更非不思而晓的。所有关涉艺术的东西,诸如艺术的内在生命,艺术与社会的关系,甚至艺术的存在权利,均已成了问题”。[1]尽管阿多诺的时代已经离我们远去,然而他对现代艺术真实命运的危机意识和敏感,依然在启发着我们的思考。当与艺术/审美有关的一切都成为问题时,究竟意味着什么?这的确是艺术/审美本身所面临的重大难题。在以电子媒介为工具的后现代社会中,艺术/审美曾经赖以存在的经典法则、文化机制、社会环境以及传播媒介 “Needless to say, nothing today is art-related or self-evident, and all things that are related to art, such as the inner life of art, the relationship between art and society, and even the artistic The right to exist has become a problem. ” Although Adorno’s time has passed away from us, his sense of crisis and sensitivity to the true fate of modern art are still inspiring us to think. What exactly does it mean when everything related to art / aesthetics becomes a problem? It is indeed a major dilemma facing art / aesthetics itself. In the postmodern society using electronic media as a tool, the classical laws, cultural mechanisms, social environment and media on which art / aesthetics existed