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大型民族歌剧《江姐》是新中国歌剧发展史上的一座里程碑。本文结合笔者饰演江姐的舞台实践,对这一角色唱段的艺术处理进行探究。首先分析了“江姐”唱段的声音处理,其中音色、力度、速度的变化是声音处理的艺术要素;接着从咬字吐词、唱腔、装饰音的处理论述了演唱要有韵味;最后从情感体验与表现,“哭戏”中情感表现的度进一步论述情感的准确把握。
Jiang Jie, a large-scale national opera, is a milestone in the history of the development of new Chinese opera. This article, combined with the stage practice of Jiang Jie as an author, explores the artistic treatment of this part. First of all, it analyzes the sound processing of “Jiang Jie” aria, in which the change of tone color, velocity and speed is the artistic element of sound processing. Then the article elaborates on the charm of singing from the treatment of biting words, singing aria, Emotional experience and performance, “cry play ” in the degree of emotional expression to further elaborate the accurate grasp of emotion.