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一在学者帕斯卡·梅西耶所著的当代哲理思辨性小说《帕尔曼的沉默》中,(虚构的主人公)语言学家菲利普·帕尔曼教授陷入了危机。对他来说,熟悉的事物都丧失了“在场”性。他只有借助记忆才能触及生命体验的实存感。为了应邀准备某重要学术会议的主题发言,他开始翻译一位俄国同行关于语言与记忆关系的论文,并禁不住对该问题的一个方面展开思索:人的感官记忆是否会由于个人回顾性叙事的更改而被更改?(帕尔曼对此的思辨,是在他的发言稿中唯一没有剽窃俄国同行的原创)帕尔曼的纠结,触及了本书的核心论题:人不可能仅仅通过语言来招回往事和情感,还需要通过对声音和音乐等的感官体验来进行;现代人对往事的记忆,也包括了曾经听过的某段录音和摆弄
In the contemporary philosophical novel “Perlman’s Silence,” by the scholar Pascal Messier, the philosopher Philip Parman, the fictional heroine, fell into crisis. For him, familiar things are lost “presence ” sex. He can only touch on the real existence of life experience with his memory. In order to be invited to prepare for a keynote speech on a major academic conference, he began to translate a Russian peer-reviewed essay on the relationship between language and memory and could not help but ponder on one aspect of the question: Will human senses rekind from changes in individual retrospective narratives? Was changed? (Perlman’s speculation is the only one that has not plagiarized Russian counterparts in his speech.) Perlman’s tangle touched the core thesis of this book: It is impossible for a person to recruit only through language Back to the past and emotions, but also through the sensory experience of sound and music to carry out; modern memories of the past, but also includes some have heard before a recording and playing