当代艺术又到了一个转折的节点。文革之后的中国艺术可以分为两个时期:上世纪80年代的后文革时期;90年代至今的文化消费时期。而今,后者委身于市场逻辑的历史信条已经呈现出明显的颓败的征兆,由此关于艺术的价值的讨论又有了新的意义。艺术具有内在的审美价值和外在的工具性价值。在中国现当代语境中,艺术价值突出地表现在审美价值、社会价值、经济价值三个方面。现实中,这三者之间并没有形 Contemporary art has reached a turning point. Chinese art after the Cultural Revolution can be divided into two periods: the post-Cultural Revolution of the 1980s and the period of cultural consumption of the 1990s. Nowadays, the latter’s historical credo, which devoted itself to the logic of the market, has shown a clear sign of decadentness. Therefore, the discussion on the value of art has new meaning. Art has intrinsic aesthetic value and external instrumental value. In the contemporary Chinese context, the artistic value is prominently manifested in three aspects: aesthetic value, social value and economic value. In reality, there is no shape between the three