《湖南民间美术全集》问世了,精装八大卷,将湘楚民间文化向世人隆重推介。其文化意义自不待言,光是出版气势被文化界视为壮观。其装帧设计也因附丽于此煌煌巨册而累受注目和青睐,交口赞誉之下,引来不少同仁盘经问道,让笔者谈感受,谈设计过程,乃至要求总结点经验什么的。这也引发我许多回忆和更多回味,也萌发了于回顾中自我梳理总结一下,非为教人,权为自我存真,于是就产生了这篇有感。一、旧梦依稀新路迷茫作为一个土生土长的湖南人,我对湖南的民间美术从小就耳濡 “Hunan Folk Art Complete Works” came out, hardcover eight volumes, Xiang Chu folk culture to the world a grand introduction. Its cultural significance goes without saying that just publishing the momentum of the cultural world as spectacular. The design of its binding also due to attached to this Huang Huang Ju-book and tired attention and favor, pay lip service, attracted a lot of colleagues asked me, I talk about feelings, talk about the design process, and even asked to summarize what experience or something. This also led me to many memories and more aftertaste, but also germination in the review of self-combing summary, non-teaching people, the right to self-existence, and thus had this feeling. First, the old dream vaguely new road confused As a native of Hunan, Hunan, I am folk art from an early age