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所谓穿插,是与贯串相对而言的。穿插,具体包括穿插性的情节、人物或戏剧场面等等,它们是在全剧主要情节的贯串发展过程中,横向插进来的一种并不贯串始终,只在个别阶段上暂时出现的插曲性因素。要想把戏写得丰满多姿,不仅要有主要情节线做主干,而且还需要有一定数量的穿插象枝叶一样附着在它上面。可以说,几乎任何一个剧本的创作都离不开穿插的运用,穿插是剧作家必须熟练掌握的一种非常重要而常用的创作技巧。
The so-called interspersed, is consistent with the relative terms. Interspersed with interludes such as plots, figures or drama scenes, etc., which is in the process of the main episode of the play throughout the process of development, the horizontal inserted in a non-consistent, only in an episode of the interlude Sexual factors. To write a play full of diversity, not only have the main plot line backbone, but also need a certain amount of interspersed as branches attached to it. It can be said that almost any script is indispensable to the creation of interspersed use, interspersed is a playwright must master a very important and commonly used creative skills.