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纵观中国花鸟画的发展史,我们可以看到,两宋是中国花鸟画发展的黄金时期,以册页、扇面为形式的小品画在这一时期大量涌现。那么,为什么小品花鸟到了北宋中期开始盛行?小品花鸟画在南宋更蔚为风气呢?本文则从以下五个方面来进行分析与探讨。第一,花鸟小品是北宋以来在绘画上追求写实、精细之风的产物;第二,文人画的发展也对花鸟小品的形成起到了不容忽视的作用;第三,花鸟小品的盛行也与当时的统治阶级的审美趣味分不开的;第四,理学中的“理一分殊”和“以小观大”的思想又为花鸟小品的盛行提供了哲理依据。
Looking at the history of the development of bird and flower painting in China, we can see that the two Song Dynasties were the golden period for the development of Chinese flower and bird painting. So, why the sketch flowers and birds began to prevail in the middle of the Northern Song Dynasty? Pieces of bird and flower painting in the Southern Song even more popular? This article from the following five aspects for analysis and discussion. First, flower and bird pieces are the product of the pursuit of realistic and refined style in painting since the Northern Song Dynasty. Second, the development of literati painting also plays an important role in the formation of flower and bird pieces. Thirdly, The aesthetic taste of the ruling class can not be separated; Fourth, the philosophy of “special points” and “small outlook” in Neo-Confucianism provides the philosophical basis for the prevalence of flowers and birds.