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对于当前话剧的现状,应作何评估?这是近来戏剧理论批评界和舞台艺术实践家们都较为关心的问题。据我了解,看法存在着较大的分歧。一种意见认为,进入90年代以来,话剧艺术的发展状况已经有了很大的好转,过去十来年中给话剧戴上的“危机”的帽子,可以摘掉了。理由是从1991年底和1994年底由文化部艺术局举办的两届全国话剧交流演出来看,说明我国的话剧创作不仅没有停滞,而且有较大的前进,新作品不断涌现,艺术质量有明显提高,演出场次也有所回升。与这种认识相左的观点认为,创作队伍在继续流
For the current situation of the drama, what should be assessed? This is the drama critics and stage art practitioners are more concerned about the issue. As far as I understand, there is a big divergence of views. One opinion holds that since the 1990s, the development of drama art has been greatly improved. The “crisis” hat worn over drama in the past ten years can be removed. The reason is that from the end of 1991 and the end of 1994 by the Ministry of Culture Bureau of Arts held two sessions of the national drama show, shows that our drama not only did not stagnate, and have a greater progress, new works continue to emerge, the quality of art has improved significantly , Performances also picked up. Contrary to this perception, the creative team continues to flow