在人类古老而又文明的历史长河中,中国画以其独特的魅力成为世界文明中一颗璀璨的明珠,反映着中国几千年的文化历史,从这里我们可以看到命名背后承载着深厚的历史文化,一种称谓本身就是一个文化符号的浓缩。名字应是作品的画龙点睛之笔,予作品锦上添花之美,是作品的眼睛,带领读者走进作品中去,与作者产生共鸣。我们对中国山水画作品的命名虽无须像古人那般苦心孤诣,但想要为作品命一个好名并非唾手可得,仍需上下而求索。 In ancient and civilized history of mankind, Chinese painting has become a bright pearl in the world civilization with its unique charm. It reflects China’s several thousand years of cultural history. From here we can see that the naming has a profound history behind Culture, a title itself is a concentration of cultural symbols. The name should be the finishing touches of the painting, and the beauty of the work should be the beauty of the work. It is the eye of the work, leading the reader into the work and resonating with the author. Although we do not need to be as painstaking as the ancients did in naming Chinese landscape paintings, we still have to find a way to get a good name for the work.