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池塘里漂浮着几片叶子,微风泛起细细涟漪;海浪拍打着海岸;雾中隐约的小树,树影婆婆,朦朦胧胧一片垂柳。此时,画外音传来富有磁性的男性声音问:“豪华到底是什么?豪华的价值何在?”见图(1-1),(5-2)这是什么广告?汽车吗?怎么画面上根本没有汽车?让我们从那趟由东京开往京都的高速列车说起吧.比尔·希特(BillyHeater)这位希尔·荷里德(HillHolliday)广告公司的文案撰稿人看着窗外快速闪过的自然景色问艺术指导唐·伊斯顿(Don Easdon):“我们为什么非要直接去表现汽车?”“正是那次简短的交谈,”伊斯顿事
There were a few leaves floating in the pond, and the breeze blew up; the waves patted the coast; the vague trees in the fog, the mother-in-law of the trees, and the weeping willows. At this point, the voice over came a rich magnetic male voice: “What is luxury? What is the value of luxury?” “See figure (1-1), (5-2) What is this ad, car, how does it look? There is no car at all? Let’s start with the high-speed train that runs from Tokyo to Kyoto. Billy Heater’s copywriter of Hill Holiday’s advertising company looks out of the window. Flashing through the natural landscape asks art director Don Easdon: ”Why must we express the car directly?“ ”It was the short conversation,“ ”Iston.