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老庄哲学作为中国传统绘画的思想基础,其博大的精神内涵一直影响着古代绘画的发展。水墨画是传统绘画中具有代表性的艺术样式,以“技”而转为道,靠着修养与悦适,寻求独特的精神境界。传统水墨画始于唐代,成于宋代,后逐步成为中国画的主流,以宋代水墨画为例,分析老庄思想中关于“朴素简淡”“意象”“道法自然”及“天人合一”等哲学理论在宋代水墨画中的体现,以及对宋代水墨画在画面构成、审美旨趣、笔墨精神与艺术理想上的影响,意在透过水墨画的外在形式,体悟所蕴含的道论哲心。
As the ideological foundation of traditional Chinese painting, Lao Zi and Zhuang philosophy have influenced the development of ancient painting all the time. Ink painting is a representative art style in traditional painting. It turns to Taoism with “technique ” and seeks unique spiritual realm by virtue of cultivation and pleasantness. Traditional ink painting began in the Tang Dynasty, became the Song Dynasty, and gradually became the mainstream of Chinese painting. Taking the ink painting in the Song Dynasty as an example, the traditional ink painting was analyzed in terms of “simplicity”, “imagery” and “nature of Taoism” “Philosophical theory of harmony between man and nature” in the Song Dynasty ink painting, as well as on the Song Dynasty ink composition in the picture composition, aesthetic taste, pen spirit and artistic ideal influence, through the external form of ink painting, understanding Contained Taoist philosophy.