十多年的中国水墨画一直翻转于有关笔墨的争论当中,恪守传统的一批老画家们竭力想守住笔墨的底线,捍卫由笔墨作为线索的国画传统的谱系,正本清源,把一些新形式与新材料的实验作品打人冷宫,不外是要保住国画家族一脉单传的纯洁性与本分。而真正富有艺术探索精神的一批青年画家却甘心要在传统之外做一个野孩子,并不理会家长们的训斥,决心要在对新的绘画可能的探索当中完成他们的自我教育,并试图修订业已发霉的国画家谱。他们更多的 For more than a decade, Chinese ink and wash paintings have been flipped over the controversy over ink and brush. A group of old painters who strictly abide by the tradition tried their utmost to keep the bottom line of ink and wash, defended the pedigree of traditional Chinese painting traced by ink and calligraphy, Of the experimental work beaten Cold Palace, but to keep the family history of Chinese painting single pass purity and duty. And a group of young painters truly rich in artistic exploration are willing to be a wild child beyond the traditions and ignore the reproaches of their parents and are determined to complete their self-education and try to explore possible exploration of new paintings Revise already moldy Chinese painting genealogy. They are more