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一以作品去诠释一个诗人,或自以为与一个诗人熟识,因而能去解析他的诗歌,二者都可能是在冒险。或者也可以这么说,阐释的无效也是诗歌魅力的一种?面对11岁开始写诗且诗龄已有10年的蒋在,或许稍显靠谱的路径是,尝试放下我们业已趋于稳定而普同的品读经验,回到诗意发生的原初:“一首挽歌/梦想如大海/汹涌的血/一次又一次排列/倒下/目光/怀抱生命/流浪(《目光》11岁);”我去的时候/我只看见了一辆皮卡车敲击出的时间/那只是一堆废铁/没
A work to interpret a poet, or think he is familiar with a poet, so he can analyze his poetry, both of which may be adventurous. Or can it be said that the ineffective interpretation is also a kind of poetry charm? Facing the beginning of poetry at the age of 11 and poetry age of 10 years, Chiang may be slightly fly the path is to try to set off we have stabilized And the general taste of reading experience, return to the poetic origin: “a darling / dreams such as the sea / raging blood / again and again arranged / down / eyes / embrace life / wandering (” eyes “11 years old); ”When I went / I saw only a pickup truck percussion time / it was just a pile of scrap iron / no