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中国传统书法中最具艺术表现性的当属草书,变化多端的线条,抽象中充满了神秘和遐想。书写者的内心世界,在随机变化的点画中得以尽情抒发,这是中国草书艺术的独特魅力。草书的形成时间可追溯到战国后期,在秦末就已初具规模。东汉辞赋家赵壹在其《非草书》中有这样的论述:“盖秦之末,刑峻网密,官书烦冗,战攻并作,军书交驰,羽檄纷飞,故为隶草,趋急速耳,示简易之指,非圣人之业也。
The most artistic expression in Chinese traditional calligraphy is undoubtedly the cursive and varied lines. The abstract is full of mystery and reverie. Writer’s inner world, in random changes in the painting can be fully expressed, this is the unique charm of Chinese cursive art. Cursive formation time can be traced back to the late Warring States Period, has begun to take shape in late Qin. The Eastern Han Dynasty Ci Fu Zhao Yi in his ”non-cursive“ in such a statement: ”Gai Qin at the end of the criminal net dense, official book annoying, war and make, military exchanges Chi, feather swirling, so Scribe, tend to be sharp ears, showing simple means, non-saint industry also.