在20世纪中国学术思想史上,钱钟书是一位被誉为“文化昆仑”的学贯中西古今的著名学者。近些年来,“钱学”在中国已渐成显学,钱先生也具有了世界性的声誉。然而,钱学研究与中国美学界都共同忽视了这样一个事实,即钱钟书是真正能够在融汇、贯通古今中西美学思想基础上,自觉超越中西美学传统局限,而开创出丰富、独特、具有创造性意义的美学思想的一位大师。过去虽有一些对钱钟书美学思想的局部研究,但由于研究者先在的理论框架、观念、眼光的限制,自然不能触及钱钟书美学思想的深层与整体。钱钟书在20世纪中国美学的现代话语形态、 In the history of Chinese academic thought in the 20th century, Qian Zhongshu is a famous scholar known as “Cultural Kunlun” and learning from ancient and modern times. In recent years, “Qian Xue ” has gradually become significant in China, Mr. Qian also has a worldwide reputation. However, both Qian’s study and Chinese aesthetics commonly overlook the fact that Qian Zhongshu was able to truly transcend the traditional limitations of Chinese and Western aesthetics based on integrating ancient and modern Chinese and Western aesthetics, creating a rich, unique, A Master of Creative Aesthetic Ideas. Although there were some local studies of Qian Zhongshu’s aesthetic thoughts in the past, he could not touch the deep and whole of Qian Zhongshu’s aesthetic thoughts because of the theoretical framework, concept and vision of the researchers. Qian Zhongshu’s modern discourse style of Chinese aesthetics in the 20th century,