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汉族是一个古老的民族,在悠长渊远的历史发展过程中不断融合不断改进,形成了华夏悠悠五千余年的灿烂文明,崛立于东方。服饰是社会文化现象的反映,是区分族群的标志。由于每个民族的生活环境、风俗、信仰、审美等方面的差异,服饰的材料、样式、色彩、图案、配饰、制作工艺等也都千姿百态,风格迥异。唐代,作为华夏民族引以为豪的精神文明象征之一,其服饰之精美,工艺之绝伦都映照着传统文化的巧妙精深。唐代礼仪制度沿袭周礼,并加以改进,让繁荣的唐朝突显文明的兴盛。女子大礼服的工艺和艺术造诣也体现了唐代乃至影响到后世和周边国家对于女子传统服饰的审美。由此,以唐代皇后礼服形制为主,对唐代女子礼服的审美进行研究。
The Han nationality is an ancient nation which has been continuously improved in the course of its long, profound historical development. It has formed a splendid civilization of more than 5,000 years in Huaxia and has risen to the east. Clothing is a reflection of social and cultural phenomena, is a sign of distinction between ethnic groups. Due to the differences in the living environment, customs, beliefs and aesthetic aspects of each ethnic group, the materials, styles, colors, patterns, accessories, and craftsmanship of apparel also vary in different styles and styles. In the Tang Dynasty, as one of the symbols of spiritual civilization prided on by the Huaxia people, its exquisite costumes and exquisite craftsmanship reflected the ingenuity and sophistication of traditional culture. The etiquette system of the Tang dynasty followed and improved the prosperous Tang Dynasty to highlight the flourishing civilizations. Women’s gown process and artistic attainments also reflects the Tang Dynasty and even affect the future generations and the surrounding countries for women’s traditional costumes aesthetic. Thus, taking the form of the queen dresses in the Tang Dynasty as the mainstay, the research on the aesthetic of the dresses of the Tang Dynasty was conducted.