网络诗歌自诞生之日,因不同于传统诗歌的诸多特性而受到各方持续关注,一时间各类研究纷至沓来,但多将研究放在其传播方式、文化特征以及对传统的颠覆等方面。本文将目光重新聚焦网络诗歌本身,首先从其身份界定入手,借用“网络文学”相关定义,肯定其作为诗歌一种的合法性;同时将其常见形态划分为纸介质文本电子化后上传的诗歌、网民原创与网络首发的诗歌及超文本诗歌三种,并分别予以解读。之后从广义和狭义两个角度对网络诗歌的外在诗体与内在诗意进行深度剖析。最后对网络诗歌呈现出的口语化、讽刺性等语言特征进行阐释,试图还原网络诗歌最为本真的一面。 Since its birth, Internet poetry has drawn much attention from all parties because of its different characteristics from those of traditional poetry. For a time, various kinds of research are pouring in, but many researches are focused on their modes of communication, cultural features and subversion of tradition. This article will look back on the network of poetry itself, first of all from the definition of identity to start, borrow “network literature ” related definitions, affirming its legitimacy as a poetry; at the same time its common form is divided into paper media electronic upload Poetry, Internet original and network of poetry and hypertext poetry three, and to be interpreted separately. After that, it analyzes the external poetic style and inner poetic meaning of network poetry in both broad sense and narrow sense. At last, this thesis expounds the linguistic features of internet poetry, such as colloquialism and satire, in an effort to restore the most authentic aspects of internet poetry.