“编创剧场”(Devised Theatre)是一种全新的演员与导演工作的模式,这种创作方式在欧美盛行,具体创作方式为创作者们选定一个素材,导演与演员共同发现提供不同的观点,进行深入而平等的创作探索。打破了常规的剧场导演中心论,演员中心论和文本中心论,保证了演员成为自己的导演,导演成为了演员的创作源泉,这是一种全新的创作模式。对于跨文化戏剧来讲,跨文化戏剧在寻找文化共性的过程中难免遇到差异性,因为差异性构成了不同文化的本质特征。正是因为这种不同文化审美的差异,在跨文化戏剧的创作过程中演员的训练方式与作品呈现需要演员导演共同去探索和创作,因此演员的训练方式就值得我们探索和发现。 “Devised Theater ” (Devised Theater) is a new model of the work of the actor and director, this way of creation popular in Europe and the United States, the specific creative way for the creators to select a material, the director and actor jointly found to provide different Point of view, to conduct in-depth and equal creative exploration. Breaking the conventional theatrical director center theory, actor center theory and text center theory, to ensure that the actor to become his own director, the director became the source of the actors, this is a new mode of creation. For intercultural theater, cross-cultural theater inevitably encounters differences in the search for cultural commonality, as differences constitute the essential characteristics of different cultures. It is precisely because of the difference between different cultures and aesthetics that the actors’ training methods are worth exploring and discovering in the process of their creation and the need for performers to explore and create their compositions.