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作家创作的成熟,其实是语言意识的成熟。语言作为文学写作的本体,而非客体,其实是说语言不是表现作者思想的工具,而是文学写作的目的。闻一多在《庄子》中谈到,“他(庄子)的文字不只是表现思想的工具,似乎本身就是目的”(1)。张卫中考察过西方文学语言的本体论观念,“俄国形式主义、结构主义、英美新批评都是把语言文学看成一个封闭、自律的整体,认为文本的意义不是来自文本之外,而是来自语言自身。正是在这个意义上,人们把由
The maturity of author’s creation is actually the maturity of language awareness. Language as a literary writing ontology, rather than the object, in fact, that language is not a tool to express the author’s ideas, but the purpose of writing literature. Wen Yiduo talked in Chuang Tzu: ”The text of him (Chuang-tzu) is not merely a tool for expressing thoughts, but seems to be a goal in itself“ (1). Zhang Weizhong studied the ontological concepts of Western literary language. ”Both Russian formalism, structuralism and the new British and American criticisms regard language and literature as a closed and self-disciplined whole. They think that the meaning of the text does not come from the text but from It is in this sense that people take the word