我有两盘余叔岩先生的唱腔专集盒带,百听不厌。 以我个人看法,余先生的唱工,在京剧须生二百年历史中首屈一指,韵味之美、字声之精、行腔之细、意境之高,不仅睥睨前人,亦复绝其来者。余腔可谓发见并体现了京剧须生唱工最雅正的形式,与之相较,别的流派多多少少都有点野狐禅的味道。 但是,象我这种年龄的中国人,几乎都是在70年 I have two sets of Mr. Yu Shuyan’s Aria album box, never tired of listening. In my opinion, Mr. Yu’s singer-songwriter, who is born in the 200-year history of Beijing Opera, is second to none, with the beauty of charm, fine language and fine lines. Yu cavity can be described as and reflects the most positive form of opera to be sung, compared to other genres more or less a little wild fox Zen flavor. However, Chinese people of my age are almost always in 70 years