“天书”与市场在学者阿尔森·波里尼撰写的论著《抽象绘画》中,开篇有这样一段话:“抽象艺术真可称得上是20世纪典型的艺术样式了,可是没有一个人敢断言它属于通俗的艺术样式。对于广大民众来说,它仍然像喜马拉雅山一样——太高、太远,无从测探,不可理解。”也正如本书的译者、中国学者王端廷所说,抽象艺术是塞尚开创的西方现代主义艺术的最终目的,也是西方现代主义艺术史最伟大的成果。但是,即使是对于生活在同一文化土壤的西方普通观众来说,抽象艺术也不是容易看懂的,而对于中国观众来说,西方现代抽象派艺术更是一部难以破译的“天书”。 “The Book of.” And the Market In his treatise “Abstract Painting,” written by scholar Arsenal Poligny, begins with a passage like this: “Abstract art is truly the typical 20th century art style, but without it One would dare to assert that it belongs to the popular art style, and to the general public it is still the same as the Himalayas - too high, too far, impossible to detect and incomprehensible. ”And just as the book’s translator and Chinese scholar Wang Danting said that abstract art is the ultimate goal of Western modernist art initiated by Cezanne and also the greatest achievement of Western modernist art history. However, abstract art is not easy to understand even for the western general audience living in the same cultural soil. For the Chinese audience, the western modern abstract art is even more difficult to decipher. .