日俄战后,日本从沙俄手中攫取了旅顺口、大连地区以及附近的租借权、长春至旅顺口间的铁路权及附属的一切特权。在政治侵略、军事占领、经济掠夺的同时,殖民文化活动亦随之展开。一较之伪满洲国时代,这一阶段的殖民文化活动呈现出多元性和区域性等特征。到“九·一八”事变前,日本在我国东北的“经营机构”大致经历了由“满铁”、关东都督府二元化时代到“满铁”、关东厅、关东军司令部三足鼎立,及总领事四头政治的多元化时代。特别是“满铁”和关东厅,一个“代替政府经营南满洲”,①一个管辖“关东州”,都是文化职能的实权的主要执行机关。另外,由于关东厅和“满铁”机关都设在旅大地区,许多文化机构、组织团体也多在该地区,以便于管理,因而这一阶段的文化 After the Russo-Japanese War, Japan seized the Lhushunkou, the lease rights in and around Dalian and the railway rights from Changchun to Lushunkou as well as all the affiliated privileges from the Tsarist Russia. Along with political aggression, military occupation and economic plunder, colonial and cultural activities have also started to take place. Compared with the era of Manchukuo, the colonial and cultural activities in this phase showed characteristics of diversity and regionality. Before the “September 18 Incident”, Japan’s “operating agencies” in the northeast of our country generally experienced three major challenges from the “Manchurian Railway”, the dualistic era of the capital’s government and the Dufu Prefecture to the “Manchu Railway”, the Kwantung Hall and the Kwantung Army Command. Consul General and four political diversification era. In particular, the “Manchurian Railway” and the Kanto Hall, a “government of South Manchuria in place of the government,” and the “Kanto Prefecture,” a jurisdiction, are the main executive organs of the real power of cultural functions. In addition, as the Kanto Hall and the “Manchurian Railway” are all located in the Luda District, many cultural institutions and organizations are also located in the area for easy management. Therefore, the culture at this stage