继承·发展·创新——同州梆子剧《琴恋》音乐创作札记

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历史潮流不可阻挡。各种文学艺术必须随着社会政治、经济生活的变革而变革,才能在新的历史时期保持强大的生命力。努力解决戏曲现状与时代发展不合拍的问题已成为戏曲艺术自身存在和发展的当务之急。作为戏曲综合艺术的重要门类——戏曲音乐,毋庸置疑,应该与时代同步。明清王骥德、李渔关于“世之腔调、每三十年一变”和“变古调为新调”之说,绝非妄语奇谈。当代戏曲音乐家们所论越剧形成后一百年内声腔平均十几年一变;评剧声腔大约每十年一变,也并非少根无据。“对移音律改”。戏曲音乐不管多少年一变, Historical trend can not be stopped. All kinds of literature and art must change along with the social, political and economic changes so as to maintain their vitality in the new historical period. Efforts to solve the current situation of opera and the development of the times are not the same thing has become a top priority for the existence and development of opera art itself. As an important category of opera comprehensive art - opera music, no doubt, should be synchronized with the times. Ming and Qing Wang Jide, Li Yu on “the tone of the world, every 30 years a change” and “change the old tune to a new tune,” said, is not foolhardy. Contemporary opera musicians are about a hundred years after the formation of the Yue-Hsiao opera, the soundtracks have been changing for more than ten years on average. The soundtrack of the Ping opera has changed every ten years or so. “The law of the sound shift.” No matter how many years of drama music changes,
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