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以“形”与“质”的关系为线索,梳理出“五四”时期中国现代诗学的三大诗学指向:一是主情主义的一元论诗学;二是侧重诗形兼有神秘色彩的象征派诗学;三是形质合一的唯美派诗学。勾勒出在形质关系力驱动下中国现代诗学演进的大致轮廓。
Taking the relations between “” and “quality ” as clues, we can sort out the three poetics directions of modern Chinese poetics during the May 4th Movement: the first is the monistic poetics of the " Poetic both mysterious symbolism poetics; third is the aesthetic unity of the poetic poetics. Outlines the general outline of the evolution of modern Chinese poetics under the influence of the forces of nature.