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朱端钧先生于一九二七年开始投身于话剧运动,从解放前导演的《五奎桥》、《夜上海》,到解放后导演的《关汉卿》、《吝啬鬼》、《星星之火》(沪剧)、《桃花扇》、《年青的一代》等等,为我们舞台奉献了许多的艺术精品,博得了极高的赞誉。朱先生导戏,有哪些主要的特点呢? 和演员共同创造朱端钧先生导戏最突出的一点,就是他特别善于和演员一起工作。他曾多次反复强调和阐述过这样一个思想:“导演不要把演员当
Mr. Zhu Duanjun started to devote himself to the drama movement in 1927. From the movie “Five Quetsui Bridge”, “Night Shanghai” before the liberation to “Guan Hanqing”, “The Miser”, “The Fire of the Stars” Shanghai Opera), The Peach Blossom Fan, The Young Generation and so on. We have dedicated many art works to our stage and won very high praise. What are the main features of Zhu’s guided play? The most prominent point that the artist has created together with Mr. Zhu Duanjun is that he is especially adept at working with actors. He has repeatedly emphasized and elaborated on such a thought: "The director should not act as an actor