“儿童文学和成人文学都属于以语言为材料,从整体上反映社会生活的意识形态,都是文学”(浦漫汀《儿童文学教程》)由此定义可以这样理解:凡优秀的儿童文学作品不仅小读者喜闻乐见,成年读者也乐于阅读,只不过欣赏的角度和理解和深浅有所不同。童话大师安徒生曾说:“我相信无论老头子、中年人、小孩子都喜欢我的童话。小孩子可以看到那里面的事实,大人还可以领略那里面所含的深意。”(安徒生《我的一生》)文学史上所以出现老少咸宜兼具儿童文学、成人文学双重意义作品,皆因它们都是文学,在本质与特征等方面完全相同的缘故。这是就 “Both children’s literature and adult literature fall into the category of language, which reflects the ideology of social life as a whole and is literature.” (Pu Man-ting’s “Guide to Children’s Literature”) From this definition, we can understand that all outstanding children Literary works not only loved by small readers, adult readers are happy to read, but the perspective of appreciation and understanding and depth are different. Andersen, the fairy tale master once said: “I believe that regardless of the old man, middle-aged, children like my fairy tale. Children can see the facts there, adults can also enjoy the deep meaning of that. ” “My Life”) Therefore, the emergence of the age of literature in both literature and literature for both young and old should be due to the fact that they are both literary and identical in nature and character. This is right