意大利美术史家莫雷利在谈到怎样辨别一件作品的真伪时说过,画家在画一幅画的主要部分时往往是很认真的,刻画得非常仔细,仿制者也是这些部分模仿得最逼真,乍一看去,真伪难辨。但是一些不经意的地方,画家放松了“警惕”,画得比较随意,如耳朵、手指等部位,随便几笔就概括出来 When talking about how to discern the authenticity of a work, the Italian art historian Morelli said that the painter often takes a very serious and painstaking detail in painting the main part of a painting, and the imitators also imitate the most Realistic, at first glance, authenticity is difficult to distinguish. However, in some casual places, the painter relaxed “vigilance” and painted more casual, such as ears, fingers and other parts, just a few summed up