抗日战争中,胡蝶、张爱玲、李香兰作为知识女性的代表,各自演绎了名媛才女的觉醒故事。她们有的发端维系家庭生计之无奈委身特务政治,有的出以理想信念民族大义考量挑战特务政治,有的被用作侵略工具卷入特务政治,更有甚者冷静地在特务政治的边缘浇注爱情之花。她们在当时中国共产党、国民党政府、汪伪政权和日本昭和军阀等各种政治力量的急速分化组合中,都不同程度地涉及到特务政治,引起后人的窥测;又因各自最终的结局,让人回味隽永。无奈的“电影皇后”胡蝶与军统巨枭胡蝶,这位20世纪二三十年代中国 During the war of resistance against Japan, Hu Die, Zhang Ailing and Li Xianglan, as the representatives of intellectual women, each deduced the awakening story of ladies and gentlemen. Some of them have the power to sustain their family livelihood, they have committed themselves to spy politics. Some have challenged spy politics with ideals and beliefs, some have been used as tools of aggression in spy politics, and some have even been calmly casting onto the edge of spy politics Flower of love. At that time, they were all involved with the spy politics in varying degrees in the rapid differentiation of various political forces such as the Chinese Communist Party, the Kuomintang government, the Wang puppet regime and the Japanese Showa era warlords, which caused the peeves’ observation. At the same time, due to their respective final outcomes, Meaningful aftertaste. Helpless “Movie Queen ” butterfly and military giant Owl Hu Die, the twentieth century twenties and thirties China