论文部分内容阅读
意境在中国艺术审美当中,扮演着非常重要的角色。被看做是艺术美的本源,意境这一概念,是在某种艺术部类发展到一定的水平后衍生的出来的。在这个漫长的孕育和发展过程中,它已经慢慢成为我国艺术实践和艺术理论的重要课题之一,人们对意境审美的辩论、探讨、阐述、定义繁多。其中影响较大的主要有三种:情景交融说,典型形象说,超以象外说。它们经过了宗教、政治、环境、人物等因素的影响,形成了独特的魅力,以特有的方式反映着中国的文化精神。而中国绘画的“意境”作为一种特殊的意蕴与氛围,有其自身的特征和表现语言。
Artistic conception plays a very important role in the art aesthetic of China. Is regarded as the origin of artistic beauty, and the concept of artistic conception is derived after the development of a certain art genre to a certain level. In this long period of birth and development, it has slowly become one of the important topics of art practice and art theory in our country. People debate, discuss, elaborate and define a great deal of artistic conceptions. Among them, there are mainly three types that have a great impact on the situation: the blend of scenarios means that the typical image is said to be super-external. Influenced by such factors as religion, politics, environment and people, they have formed unique charisma and reflected the Chinese cultural spirit in unique ways. The “artistic conception” of Chinese painting, as a kind of special implication and atmosphere, has its own characteristics and expression language.