一个被污辱被损害的姑娘站在我们面前,她的血和泪的遭遇,她那充满了愁苦的悲哀的灵魂,向万恶的帝国主义分子,提出了强烈的人道的控诉。这个姑娘的干父是个被帝国主义利用而进行反革命活动的牧师,他以宗教及亲属的关系,借传道、关心青年的名义,把自已身上的毒汁,强迫灌输到子女们身上。姑嫫信奉上帝,盲目地信赖这个假干父,因而驯顺地接受了干父的“教养”,乃至毒汁渗透入骨髓,所以她虽然生长在光明的新社会里,虽然也与其他青年人一样地接受了雨露和阳光,但她不能识别真伪,明辨是非,终于经不住黑暗势力的压榨,丢窠了她的青春和幸福,受尽了心灵与生理上的折磨,最后被残酷的杀害而死。这就是发表于人民文学1957年1月号上的电影文学剧本“神、鬼、人”的故事中心。这个剧本以其颇为生动的艺术构思,吸引住我们。数以百万计的广大的宗教信徒,在解放前后的数年中,他们的思想发生什么变化?在他们的生活中有 An insultingly damaged girl stands before us, her blood and tearful encounters, her sorrowful soul full of sorrow, and a strong humane indictment against evil imperialists. The girl’s father, a pastor who was used by the imperialists to conduct counterrevolutionary activities, used religious and kinship ties to instil poisonous self into her children through preaching and caring about young people. Believing in God blindly trusts this fake father, he accepts the “rearing up” and persistence of venomous juice into the bone marrow, so that although she grows up in a bright new society, she is as same as other young people She accepted the rain and the sunshine, but she could not identify the authenticity and the right and wrong from the right and wrong. At last she could not withstand the pressure of the dark forces, lost her youth and happiness, suffered spiritual and physical torture and finally was brutally murdered dead. This is the story center of the movie script “God, Ghost, People” published in January 1957, People’s Literature. This script attracts us with its vivid artistic conception. What happened to millions of religious followers in their thoughts in the years before and after liberation?