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民居作为人居住的场所,不仅是满足基本需要的形式产物,更具备了更为强大的功能,它除了是组织家庭和社会关系的场所,更是表达审美艺术情趣和文化含义的载体。人们在满足最低层次的居住需要后,对居所的装饰隐含了更深层次的含义。民居是表现文化的主要手段和方法之一。我国是个多民族国家,各地区又存在着文化差异,厦门传统民居是极具地方特色的古建筑风格的体现,是闽南文化的产物。它保留了中国传统装饰的繁复精致,这些图案不仅达到建筑装饰效果,更作为一种象征意义,深切流露出人性的本质,对生命的追求,这些吉祥图案不但牢固地建立于劳动人民的思想中,同时也赋予各种祈求功能,吉祥图案的世俗化,使其纹样成为百姓寄托理想、心愿和情感的媒介,其深长的意味,显露出独特的生命感染力。
As a place where people live, it is not only a formal product that meets basic needs but also possesses even more powerful functions. Apart from being a place where families and social relations are organized, residential houses are also carriers for expressing the taste and cultural meaning of aesthetic art. People meet the minimum level of living needs, the decoration of the home implies a deeper meaning. Folk houses are one of the main means and methods of expressing culture. China is a multi-ethnic country, and there are cultural differences in all regions. Xiamen traditional houses are the embodiment of the ancient architectural style with local characteristics and are the product of the Minnan culture. It retains the sophistication and sophistication of traditional Chinese decorations. These patterns not only achieve the effect of architectural decoration, but also serve as a symbolic symbol to deeply reveal the essence of human nature and the pursuit of life. These auspicious patterns are not only firmly established in the working people’s mind At the same time, it also gives various prayer functions and the secularization of auspicious patterns so as to make the patterns become the medium for the people to lay their ideals, aspirations and emotions. Its profound meaning reveals the unique appeal of life.