《金瓶梅》妻妾群像中的三个典型人物吴月娘、潘金莲、李瓶儿游走在否定主义美学的框架之内,体现出一种审丑的美学视角,三个人物的贪、嗔、痴所昭示出的丑怪的写实主义以及价值观层面的放纵狂欢,具有强大的嘲讽力量,营造出小说自身特有的“道德秩序”。 Wu Yue-niang, Pan Jin-lin and Li Ping-er walked within the framework of the negative aesthetics in the “Jin Ping Mei” wives. They reflected a kind of appreciation of aesthetics from the perspective of aesthetics, the greed of the three characters, The ugly realism as well as the indulgence and carnival at the level of values ​​have shown strong power of ridicule and created the unique “moral order” of the novel itself.