6月29日下午,笔者与吴汝俊先生围绕他的成长历程和京剧艺术探索,进行了长达5个小时的对话。在对话过程中,吴汝俊时而陷入回忆,时而谈起创作构思。因前不久笔者刚在长安大戏院欣赏过他的《孟母三迁》,很自然地把略显单薄、却张扬着艺术家气质的吴汝俊与舞台上那个端庄稳重的孟母相比。对比之下,他更像是一团火,一团燃烧着激情的大火。 On the afternoon of June 29, the author conducted a five-hour dialogue with Mr. Wu Rujun on his journey of growth and exploration of opera art. During the dialogue, Wu Rujun fell into memories from time to time, sometimes talking about creative ideas. Not long ago, I just admired his “Three Immigrants in Bangladesh” at the Grand Theater of Chang’an. Naturally, compared to the dignified and stable Meng Mu on stage, Wu Ru-jun, who is slightly thin but lauded the artist’s temperament, In contrast, he is more like a fire, a group of passionate fire burning.