电视剧艺术进入新的年代,从制作对策到艺术智商,都受到了严峻挑战,那些难以跨越自我的心理障碍,使电视剧的发展受挫。不少电视艺术家,正在以新的姿态,敞开电视界的城门,既给已有的“显人才”以施展才干的条件,又为未知的“潜人才”提供崭露头角的契机,一股创造力,在冲破着平庸。一部电视连续剧《西部警察》似乎可以使我们意识到这股创造力。这里所表现的故事和塑造的人物,都有着强烈的意识形态化。这里所凸现的一切,都是从人物关系升华出来的,那些可开崛的人物关系,那么扎实,那么可信。生活的底蕴,成为人物关系的生命,人物关系在这里成为一种生命现象。警察在社会生活中,具备着独有社会职能,人们对警察既有一种陌 TV drama art has entered a new era, from the production of countermeasures to the art IQ, have been severely challenged, those difficult to self-psychological barriers that frustrated the development of television drama. Many television artists are taking a new attitude to open the gates of the television industry. They not only give the existing “outstanding talent” the ability to display their talents, but also provide an unexpected opportunity and an innovative force for the unknown “hidden talents” In the break with mediocrity. A television series “Western police” seems to make us aware of this creativity. The stories presented here and the characters they shape have a strong ideology. All that is revealed here is the sublimation of human relations, those who can be the rise of character relations, so solid, so credible. Life, heritage, become the life of the relationship between characters, character relations here become a phenomenon of life. In social life, the police have unique social functions and people have a stranger to the police