中国青年艺术剧院的“上海屋檐下”,不但演的好,就是装置、灯光和气氛,也都丝丝入扣。有几个小地方,不知道观众注意到了没有,我在上海住过好些年,觉得导演和舞台工作人员,给了我很大的启发。第一,垃圾箱里上角,有一行小孩子写的粉笔字,“打倒小东洋“。剧本怕没有这几个字罢。它们不但暗示剧本的精神,而且正好写出上海弄堂的风光。第二,垃圾箱的墙高头,有一个“当”字,和墙一样大小,居高临下,十分触目。戏里人物都是当铺的主顾。有的是连当铺也进不去的穷光蛋。这个“当”字,又是半殖民地上海的风光,又说明人物的经济情况。这一堵垃圾(!)墙,亏导演和装置同志想的出,它的意味实在无穷。第三,黄家楣夫妻送父亲回来,和赵家夫妻分别回到自己的房间,关上纸窗,显出了人影幢幢,不久就又消失了,不但画面美,意境也很美。第四,楼房后头是一条后弄堂,进口的地方,有一盏半明不亮的街灯。它既不刺眼,又说明弄堂的形 Under the eaves of Shanghai, China Youth Art Theater not only performed well, but also installed installations, lights and atmosphere. There are a few small places, do not know the audience noticed no, I lived in Shanghai for many years, I feel the director and stage staff, gave me a lot of inspiration. First, the upper corner of the trash, there is a line of children’s writing chalk, “Down the Little East.” The script afraid of these few words strike. They not only imply the spirit of the script, but also just write the scenery of Shanghai alley. Second, the top of the dustbin wall, there is a “when” word, the same size as the wall, commanding, very touching. The characters are pawnshops patrons. Some are pauper even pawn shops can not get in. This “Dangdang” character is the scenery of semi-colonial Shanghai and illustrates the economic situation of the figures. This garbage (!) Wall, thanks to the director and device comrades thought out, it means endless. Third, Huang Jiamei couple sent his father back, and Zhao were married couple returned to their own room, close the paper window, showing the figure blocks, and soon disappeared, not only the United States, artistic conception is also beautiful. Fourth, behind the building is an alley after the import, there is a half-dim street lamp. It is neither dazzling nor the shape of an alley