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50年代后期和60年代早期,美国出现了富有超现实主义色彩的深层意象派诗,带头人是罗伯特·布莱(1926—),骨干成员有詹姆斯·赖特(1927—1980)、路易斯·辛普森(1923—)和威廉·斯塔福德(1914—)等。布莱很早受荣格的影响,创作超现实主义诗歌。1956年,他去挪威奥斯陆教书时开始对智利的聂鲁达(1904—1974)、秘鲁的巴列霍(1892—1938)和奥地利的特拉克尔(1887—1914)等诗人感兴趣,回国后创办杂志《50年代》(以后称《60年代》和(《70
In the late 1950s and early 1960s, the United States emerged in a deep-seated, surrealist imagery with the head of Robert Brei (1926-) and the backbone of James Wright (1927-1980), Louis Simpson (1923-) and William Stafford (1914-). Blai was influenced by Jung very early and wrote surrealistic poetry. In 1956, when he went to Oslo, Norway, he began to be interested in such poets as Neruda (1904-1974) in Chile, Paleohu (1892-1938) in Peru and Tracel (1887-1914) in Austria. After returning home Founder magazine “50’s” (hereinafter referred to as “60’s” and “70”