如今,我们看到、想到穆桂英,就如同看到、想到梅兰芳,他就是巾帼;看到、想到杨玉环,就如同看到、想到梅兰芳,他就是美人。这一切离不开他一生对美的不舍和对“移步不换形”及“与时俱进”的践行与追求。他永不停步,当《贵妃醉酒》已风靡华夏、醉倒国人时,他毅然再演长达四本的《太真外传》,用最华丽的灯光布景,最新的唱腔和最新的 Now, we see, think Mu Guiying, just like to see, think Mei Lanfang, he is a woman; see, think of Yang Yuhuan, just like to see, think Mei Lanfang, he is a beautiful man. All this can not be separated from his life’s disregard for the United States and the practice and pursuit of “moving without change” and “keeping pace with the times”. He never stop, when “Drunken Beauty” has swept China, drunk people, he decided to play up to four of the “too real”, with the most gorgeous lighting set, the latest aria and the latest