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本文借助精神分析理论在性别视野下重新审视电影文本结构及电影的审美过程,展现传统叙事电影提供视觉快感的原理,以此剖析男权主义意识形态尤其是男性的“凝视”对于类型片中的女性形象的影响和塑造,并结合实例进一步对于电影及其它视觉作品中的男性目光进行类型学的分析。
Based on the theory of psychoanalysis, this thesis attempts to re-examine the textual structure of the movie and the aesthetic process of the film through the perspective of gender and to show the principle of providing visual pleasures by traditional narrative films in order to analyze the “gaze” of patriarchal ideology, especially of men In the female image of the impact and shape, and combined with examples of further work in the film and other visual works of men in the perspective of typology analysis.