自民族音乐学传入中国,就与中国传统音乐的研究领域结合,为传统音乐的研究和发展注入新活力、开启新思路,但是新的学术理念对研究者提出了更高的要求。本文以民族器乐为例,同时亦可反映其他门类存在的相同或相似的情况,以获取本来是优势却又被日渐遮蔽的“本土经验”。 Since the introduction of ethnomusicology into China, it has combined with the research field of traditional Chinese music, infused new vitality and opened up new ideas for the research and development of traditional music. However, the new academic concepts have put forward higher requirements for researchers. Taking ethnum instrumental music as an example, this article can also reflect the same or similar situations existing in other categories in order to acquire the “indigenous experience” that has always been an advantage but increasingly obscured.