在有关唐末五代题材戏曲的发展演变中,从元到清出现过断层现象,明代讲史小说《残唐五代史演义传》在接续戏曲本事和孕育再生新戏方面起到了极为重要的作用,由于五代正史和《五代史平话》的影响,论者往往对这部小说的戏曲史料情况有所忽略。从戏曲与小说的互动关系来考察,《残唐五代史演义》的戏曲史地位和其反映的明代小说的文体变革意图,对理解明清通俗文学的整体演进和互渗情况提供了难得的早期样本。 In the development and evolution of the drama drama of the late Tang and the Five Dynasties, the phenomenon of the fault emerged from Yuan to Qing dynasties. The historical biography of the remnants of Tang and Five Dynasties in the Ming Dynasty played an extremely important role in connecting with the drama talent and nurturing a new drama. Due to the influence of the Five Dynasties and the “Five Dynasties History Pinci”, the commentators often neglected the historical materials of the opera in this novel. From the interactive relationship between drama and fiction, the historical status of the opera in “The Romance of the Tang Dynasty and the Five Dynasties” and its intention of stylistic change in the novels of the Ming Dynasty provide a rare early stage in understanding the overall evolution and infiltration of popular literature in the Ming and Qing dynasties sample.