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到彼得·保罗·鲁本斯(1577—1640年)时,绘画媒介剂发生了最后的重大的变化。鲁本斯给意大利人的媒介剂带来的变化,使之转变为任何画家在其配置中所得到的最流畅和通用的媒介物。从技术上说,运用自如的技巧,使鲁本斯的伟大才能得以发挥,从而达到绘画写实的高峰。 我们发现,从凡·爱克到老勃鲁盖尔,用来突出侧面光绘画中的立体形象,主要用的是轻质颜料——黑色、褐
At Peter Paul Rubens (1577-1640), the last major change took place in the medium of painting. The changes Lubens brought to the Italian media changed it into the most fluid and versatile medium that any artist could get in his configuration. Technically speaking, the use of free skills to make Rubens great ability to be able to play, so as to achieve the peak painting realistic. We find that from Van Eyck to the old Bruegel, used to highlight the three-dimensional image of the side light painting, the main use is light pigment - black, brown