20世纪70年代中期“文革”即将结束前夕,我有幸进入了西泠印社工作。西泠印社虽在篆刻界是个知名的文化单位,阳春白雪、曲高和寡,知道它的人并不多,我也一样。当时领导建议我学篆刻,我欣然接受了这份工作。从此我便与书法篆刻结下了不解之缘。学习书法至今,大致上说来前十年钻研篆书、篆刻为多,算是打了个书法基础吧。后三十年攻的是行书、楷书。学习篆书当时是从西泠印社创始人之一王福庵的 In the mid 1970s, on the eve of the “Cultural Revolution”, I was fortunate enough to enter the work of Xiling Yinshe Society. Although Xiling Engraving Society is a well-known cultural unit in the world of carving, there are not many people who know it, so are I. At that time the leadership suggested that I learn carving, I gladly accepted the job. Since then, I have a bond with the calligraphy and seal-cutting. Study calligraphy so far, roughly speaking, the first ten years of study Seal, seal as much, be regarded as a calligraphy basis it. Thirty years after the attack is running script, regular script. Seal script learning was from the Xiling Yinshe founder Wang Fu An