本文挑战了将政宣片理解为简易的文化形式的陈见,详细分析了第二次世界大战期间好莱坞电影为了参与战争宣传而付出的巨大努力。在这一时期的好莱坞政宣片中,我们看到叙事模式的新尝试,也看到这些尝试不可避免的局限性、结构上的不可能性以及对作为逃避主义娱乐机器的好莱坞传统构成的威胁。 This essay challenges the comprehension of Zhengxuanpian as a simple form of culture and analyzes in detail the great efforts that Hollywood films have made to participate in war propaganda during the Second World War. We saw new attempts at narrative patterns in the Hollywood film during this period as well as the inevitable limitations of these attempts, the structural impossibility, and the threat posed to the Hollywood tradition as an escapeist amusement machine.