“老”使用在书画品评中是极其常见的。诸如“人书俱老”“血浓骨老”“天然老成”等数见不鲜。那么“老”是如何使用到书画审美中来的,本文试简要探析之。一从陶弘景“元常老骨”到孙过庭“人书俱老”晋陶弘景在《与梁武帝论书启》中云:“摹者所装字,大小不甚均调,熟看乃尚可,恐笔意大殊,此篇方传千载,故宜令迹随名偕,老益增美,晚所奉三 ”Old “ is very common in the use of calligraphy and painting. Such as ”people are all old “ ”blood bone old “ ”natural aging “ and so on are not uncommon. Then ”old “ is how to use aesthetic painting and calligraphy, this paper try to analyze briefly. A from Tao Hongjing ”Yuan Changlao “ to the Sun Chaotian ”All the books are old “ Jin Tao Hongjing in ”and Emperor Wudian book Kai“ cloud: ” Familiarity is acceptable, fear of Pen Great Italy, this article Fang Chuanzai, it should make the track with the name kai-kai, the old benefits by the United States, the evening served three