1、思想的贫困 对于近年来的戏剧,我一个很深的感受是,我们太过于放纵自己的欲望,太轻而易举地降低了我们审美的标准与尺度,对剧本如此,对舞台亦是如此。而在剧本与舞台两者之间,我们又太容易于左右摇摆,往往轻易就抛弃了对剧本的严格要求而向舞台投去过多献媚的眼光。不用说“一剧之本”的言论岌岌可危,就是“有剧无本”也大可站立得住。这实际上就是当前戏剧面临的最大危机,这危机的根源就在 1. Poverty of Thought For the drama in recent years, I have a very deep feeling that we are too indulgent in our desire to reduce our aesthetic standards and scales too easily. This is also true of the script and of the stage. In between the script and the stage, we are too easy to swing around, often easily abandon the strict requirements of the script cast too much flattering vision to the stage. Needless to say, “the story of a drama” is in jeopardy. It means that “there is no drama in this drama” can stand still. This is actually the biggest crisis facing the current theater, the root cause of the crisis lies