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有清一代,由于历任统治者对藏传佛教的崇奉和汉藏两地交流的日趋频繁,使藏传佛教在北京地区得到大力弘扬,西藏地区独有的绘画艺术形式——唐卡艺术也随之在京城蓬勃开展。这些在北京地区绘制的唐卡作品除了部分由内务府造办处所制作的御制唐卡作品外,绝大多数来自于北京地区的藏传佛教寺院及寺院周边画坊。其艺术风格具有鲜明的北京地方特色,被后世众多专家学者冠以“北京风格”的称呼。北京风格唐卡艺术属于西藏勉萨艺术风格的范畴,其艺术规范来自于清代宫廷风格唐卡艺术,与宫廷风格唐卡艺
There is a generation of Qing Dynasty. Due to the successive rulers’ worship of Tibetan Buddhism and the frequent exchanges between China and Tibet, Tibetan Buddhism has been vigorously promoted in Beijing. The art of Tang Dynasty, the unique form of painting in Tibet, also follows The vigorous development in the capital. Most of the Thangka works drawn from the Beijing area except for some of the T’Dung Thangka productions made by the Home Affairs Office originate from Tibetan Buddhist monasteries and monasteries in the Beijing area. Its artistic style has a distinctive Beijing local characteristics, many future generations of experts and scholars labeled “Beijing style ” of the call. Beijing style Thangka art belongs to the category of Tibetan Enceladus art style, its artistic norms come from the court style of Thangka art of the Qing Dynasty, and the court style Thangka art